Peregian codex : James Gleeson / Lou Klepac.

By: Contributor(s): Material type: TextTextPublisher: Roseville, N.S.W. : Beagle Press, 2008Description: 96 pages : illustrations (some colour) : 30 cm x 35 cmContent type:
  • text, still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780947349516 (hbk.)
Subject(s): DDC classification:
  • 759.994 22
LOC classification:
  • ND1105.G53 K54 2008
Summary: Gleeson produced the Peregian Suite (a series of 22 collages) while staying at Peregian Beach in Queensland in Summer 1982-83. Having given up all his public commitments as visiting curator, lecturer and author he had decided to devote himself to painting full time. The book records how these collages set off the great late period of his work, of which Reef painted in 1983 is the first. In his foreword, Gleeson wrote: "On a summer holiday in Peregian in December 1982 to January 1983 I worked on this sequence of decalcomanias using collage to enhance the suggestions I discovered in the random dispositions of the pigment. To convert it to a landscape I applied a film of black or coloured tissue papers, often in layers, and I completed the transformation by adding a further collage of images as extensions of the implications provided by the paint."
List(s) this item appears in: Bibliografija knjiga Hrvata izvan Republike Hrvatske: Australija
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Issued in a trade hardcover and a deluxe edition of 100 copies with an original aquatint by James Gleeson. Copies 1-50 have 'Surge 2007'; copies 51 - 100 have 'Storm rods 2007'.

National Library's SR copy of the deluxe edition is no. 13. ANL

Ustanova u kojoj se publikacija čuva: ANL (Main Reading Room, signatura NLef 759.994 K64).

Bibliography: pages 90-95.

Gleeson produced the Peregian Suite (a series of 22 collages) while staying at Peregian Beach in Queensland in Summer 1982-83. Having given up all his public commitments as visiting curator, lecturer and author he had decided to devote himself to painting full time. The book records how these collages set off the great late period of his work, of which Reef painted in 1983 is the first. In his foreword, Gleeson wrote: "On a summer holiday in Peregian in December 1982 to January 1983 I worked on this sequence of decalcomanias using collage to enhance the suggestions I discovered in the random dispositions of the pigment. To convert it to a landscape I applied a film of black or coloured tissue papers, often in layers, and I completed the transformation by adding a further collage of images as extensions of the implications provided by the paint."

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